Man of Steel is clearly trying to ground Superman within a more realistic context, and maybe they thought the "before the window" effects- which, granted, can be gimmicky- were too big for the movie's tone. Even in moments where there is snow or other particulate matter floating in the foreground, a popular way to get some before-the-window impact in other films, the effect doesn't jump out. There is no popping, no jumping in your seat.
But Snyder and company reject the before the window moments at every turn. He flies all over the place, in a way that's basically the set up of every old cheesy 3D effect- look, you're with him, soaring through the Grand Canyon! Man of Steel had every opportunity possible to take advantage of this for a "before the window" effect, which is what we call it when 3D is used to make it feel like objects are popping out of the screen at you. He leaps tall buildings in a single bound. ?Superman: he flies faster than a speeding bullet. We’ll collect all the data we need and we’ll just do as good a job as we can.” I don't want to over-analyze, but doesn't this sound kind of like a guy who's given up already? We’ll spend time and we’ll make it as awesome as we can. Man of Steel was confirmed for a 3D and IMAX release just last fall, but in on-set interviews Snyder was planning for the 3D post-conversion, though he didn't exactly sound psyched about it: "Well, we’ll post convert and that’s cool. Of course, now that he's been handed the keys to the DC Comics kingdom, he's clearly been overruled.
?At one point, when he was releasing his bizarre passion project Sucker Punch, Zack Snyder seemed skeptical about the process of converting a film to 3D in post-production.
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